Why they use the stage on the island to show off the characters! <img src="http://www.themeparkphotos.us/cpg140/albums/uploads/121307/D/DL041999119.JPG" /> <img src="http://www.themeparkphotos.us/cpg140/albums/uploads/121307/D/DL041999122.JPG" /> <img src="http://www.themeparkphotos.us/cpg140/albums/uploads/121307/D/DL041999064.JPG" /> Kodak T-MAX 3200 <img src="http://www.themeparkphotos.us/cpg140/albums/uploads/121307/D/DL041999062.JPG" /> Kodak T-MAX 3200
Look at how beautiful the t-max is. and at 3200!! I didnt even know it was available at that speed. I always used t-max 100 when I rolled my own! I liked your comment the other day too, Roger about rewinding rolls of film. I always did that too. Take note of shutter count on a small piece of paper drop into film can with rewound roll of film. I was switching between b&w I could develop myself (dad had built a darkroom in the garage) and color.
Thanks Craig! I'll post the other TMAX3200 shots from F! later. I shot one roll of it because: 1) Tired of being limited to ISO800 because 2) Kodak Royal Gold 1000 was too grainy 3) Fuji 1600 was too grainy 4) Didn't want to pay for push processing 800 to 1600. Did anyone else start using the 1 hour labs just for processing during the transition period from film to digital? (i.e. when film scanners finally were affordable. Heck they were cheaper than the entry level dSLRs!)
Actually I used a 1 hour lab type place to develop some B&W I'd shot because I was behind on a photography class project and wanted to use my lab time to print rather than develop. Plus, frankly, I had difficulty getting the film wound onto the spools that were used to develop it. More or less I usually got it right, but I was always afraid it might come out bad. Occasionally I'd get it wound wrong and some of the film would be stuck together and not get developed.
